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resources:adventure:the_phantom_of_the_theatre [2016/10/01 19:08] emmab [PCs] wrong names sorry |
resources:adventure:the_phantom_of_the_theatre [2017/04/06 17:12] amy [Simone] tag |
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Our heroes - after a truly heroic amount of bickering - eventually get around to unmasking the Phantom, who appears to be an ordinary human woman wearing a purple cravat. Emilio, with his knowledge of the affairs of Acryn nobility, is able to confirm that this individual was probably one of the remnants of the Order of the Violet Cravat, a militant royalist group. | Our heroes - after a truly heroic amount of bickering - eventually get around to unmasking the Phantom, who appears to be an ordinary human woman wearing a purple cravat. Emilio, with his knowledge of the affairs of Acryn nobility, is able to confirm that this individual was probably one of the remnants of the Order of the Violet Cravat, a militant royalist group. | ||
- | Simone and Balthazar continue to fight over the sword. Adelmar takes the opportunity to filch the Phantom's mask. | + | Simone and Balthazar continue to fight over the sword. (James' character) takes the opportunity to filch the Phantom's mask. |
After a brief amount of wheedling, Clairmont is convinced to pay the party 36R - substantially more money than she had initially promised. She also agrees to reimburse Balthazar one mana crystal. | After a brief amount of wheedling, Clairmont is convinced to pay the party 36R - substantially more money than she had initially promised. She also agrees to reimburse Balthazar one mana crystal. | ||
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Vermillion uses his connections in the world of art to track the progress of FOUNDERS. It seems, despite its rude beginnings, to have created quite the stir throughout Acryn, largely owing to the novelty of the medium. Vermillion ensures that his part in the play's inception - indeed, his death in its defence - is widely known. He creates a promotional sculpture in honour of this musical debut. | Vermillion uses his connections in the world of art to track the progress of FOUNDERS. It seems, despite its rude beginnings, to have created quite the stir throughout Acryn, largely owing to the novelty of the medium. Vermillion ensures that his part in the play's inception - indeed, his death in its defence - is widely known. He creates a promotional sculpture in honour of this musical debut. | ||
- | Adelmar also attempts to make his involvement known. Though he lacks Vermillion's contacts, he gains a certain amount of recognition. | + | [James' character] also attempts to make his involvement known. Though he lacks Vermillion's contacts, he gains a certain amount of recognition. |
Rodrigo also does this - and takes up Vermillion on his offer of posing for a (shirtless) sculpture. | Rodrigo also does this - and takes up Vermillion on his offer of posing for a (shirtless) sculpture. | ||
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* Gains 36R | * Gains 36R | ||
- | ==== Adelmar ==== | + | ==== James' character (name?) ==== |
* Gains 36R | * Gains 36R | ||
* Gains a mask | * Gains a mask | ||
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* Has use of one RESIST FEAR per encounter from now on | * Has use of one RESIST FEAR per encounter from now on | ||
- | {{tag>"the phantom of the theatre" adventure "Simone l'etincelle" "vermilion magnifico" "Rodrigo Robertson" "Balthazar the enchanter"}} | + | {{tag>"the phantom of the theatre" adventure "Simone l'etincelle" "vermillion magnifico" "Rodrigo Robertson" "Balthazar the enchanter"}} |